April 23, 2010

Fairy Tale Inspired Poem by Chrissa Sandlin

A Quince Upon A Lime

(Inspired by The Emperor's New Suit)




His first story was his mother’s: Her sight,
In another land, before point-and-shoot or YouTube
Of a naked king striding dignified though louche
That has since stripped every parade of its pride.

We laughed. Ten of us, freshmen, in a lounge
At first night’s orientation, still shedding schools
Sloughing the past; telling, then breaking its rules.
Believing him English, I was perforce doomed.

Jack warned me once that every single son
Born from a familiar tale was a special boy
One name given, by one destiny employed
Unmoved save by folly, unmarked save by fun

He said he came from Make Believe’s outlands
And we are either lovers or I am temptress bound
To play the fool during his studies, crowned
Queen or found to be her changeling and banned.

Afterward? I tell our story carefully caged
First nights are dangerous—their offered choice
Forked like a tongue blowing hisses and coy.
From which of these avenues pick we our days?

Should you let a lover dress you in a haunted time
Have a care the drapery is not by pride repaired
That what has been announced is really there
Not loomed in wordy glory upon a warp of lies.

We were decorating his room for All Hallow’s Eve
Dorm carpet niblets bit our palms, markers bled ink
Mascot at the door, a stuffed dragon-gator grinning
Creating a bloody study from which to cast treats.

Jack left most of his textbooks underfoot
Engineering ignored, math on which he danced
Nothing held serious, laughing at each askance
Finally pulling out an inky, scribbled notebook.

He began, “When golden apples, sour emeralds
Grew together in a far fair kingdom’s garden . . .”
Whose bricks, I wonder, whose names upon the cairns?
“There lived a Queen who loved too well her herald.”


This Halloween he would dress us in their lives
Our casual love I thought would evenly compare
To that which stalked their desperate evening prayer;
Unmarred by costumes; feted in polyester lines.

He dressed me a Queen from his own fairy tale
Impelled, as baby turtles scramble to the ocean
To make her folly a king fond chosen--
Jack dresses me in desires, his story prevails.

Yet, a week before the candied night he leaves;
No more castles grown from brick houses on blacktops
Classes rediscovered, only to be dropped
My attention tardy and my grades bereaved.

And so I alone greet them in electric green sarong
As dorm doors creak and slam this October night
Handing out our sugar treasures by electric candlelight
Naked in a myth to which I don’t belong.

Jacks are by nature tarrying foolish fellows
In that they are Folly’s own bright stewards
Allowing our own pride to have its head
Making us Foolish subjects, bare and callow.

April 16, 2010

Scenes from Fairy Tale Films by Lisa Stock

Below is a scene from Lisa Stock's feature film, TITANIA, a retelling of the fairy tale of the Armless Maiden through the fairy queen, Titania, and other characters from "Midsummer" and Greek mythology. It is a dream sequence between Titania and Moprheus in which she finds the landscape of her home drastically changed from summer to winter. Morpheus reveals his true identity to her and shows her a way into the forest.


Directed by Lisa Stock
Cinematography by Steve Acevedo
Titania - Victoria Hay
Morpheus - Keith Chandler
Oberon - Ryan Farrell


TITANIA - Dream Scene



Next is a scene from BROTHER AND SISTER, a Short film adaptation of the traditional fairy tale and contemporary poem by Terri Windling.

Directed by Lisa Stock
Cinematography - Jeff Bernier
Music - Priscilla Hernandez
Brother - Seth Harris
Sister - Michelle Santagate



Brother and Sister




For more info about these films or about Lisa Stock visit: http://www.Inbytheeye.com

April 13, 2010

Lisa Stock's Myth and Fairy Tale Films

Image Gallery of Myth & Fairy Tale Films

by Filmmaker Lisa Stock



In the 1980's I had the amazing opportunity to travel to Communist Russia as part of the first Youth Summit between American and Soviet teens. What I saw around me was a fairy tale culture brought to life: brightly colored buildings, tall, lush forests, traditional dances, and despite the hardships they faced everyday - the most enchanting, intelligent people I've ever met - all with a mysterious tale to tell. I came away with a yearning to re-connect to these timeless fables as they still do in that region of the world. And the more I read of the gods of Greece, and the princesses of France, the more I came to realize how pertinent they still were. In my films I aim to do two things - take you somewhere you've never been before, and bring these ancient stories to the present day viewer by linking common themes and giving the viewer a new perspective. In doing so I hope to convey the importance of classical works and their relevance to a contemporary audience and the world we live in.




TITANIA - is part 1 of The Medisaga Trilogy. This is a retelling of the Armless Maiden tale through Shakespeare’s faery queen. TITANIA is a low-budget fantasy, which relies on a strong story, compelling characters, and creativity. The faery queen, Titania, embarks on a journey of rediscovery after she is betrayed by one of her own and brutally attacked within the forest of her realm. In order to become whole again, she must go on a journey of healing which will take her from her home, across ancient pilgrim roads and ultimately into the Underworld for her greatest test.

The Medisaga Trilogy puts a woman in the traditional Hero’s role of separation, initiation and return. She must overcome several obstacles – many from within – to become whole again. But the film is not just a story with two sequels – each film finds Titania continuing her journey through a different landscape and time period.

This film is currently in pre-production. We will shoot a short film prequel to TITANIA in May, and plan to premiere it at the Three Wishes Fairy Fest in Cornwall, England in June. We also plan to shoot the entire trilogy in the 2nd half of 2010.







BROTHER AND SISTER – based on the traditional fairy tale and contemporary poem by Terri Windling. It was such a pleasure to bring Terri Windling’s beautiful words to life. Her words and artwork both inspired me to make this film. I love Terri’s illustrations of people with antlers or tree branches for hair. I think this speaks to our deepest desires, our deepest instinctual selves. To me, this story is about risking all to follow your dreams. What is the true happily ever after for each of us? What is your true nature? Sister watches as her brother turns into a roe and runs free through the forest, and she suddenly recognizes the call of the wild .within herself. I think at some point in our lives we all have a trigger that sets us on our true path, and that’s what “Brother & Sister” is about. This film is a bit different in that it doesn’t follow the traditional story structure of beginning, middle, and end – but rather highlights the moment of inspiration and then transformation for the Sister. Her first step toward following her dream and her true self

WILD HUNT – The pilot for this web series is being shot in April 2010. It weaves together the legend of the Wild Hunt and Furious Host with the myth of Daphne (and Apollo) – and is set in the Victorian era. It follows two characters, Marie and the Butler in a gentlemen’s club, as they try to outrun and out smart the Captain of the Furious Host. To earn their hold on life, each must discover the Captain’s weakness to beat him at his own game. What they must also consider in is how Daphne, once the Captain’s prey and now his muse, factors in to their own mortality. In turn each battles with their own beliefs in myth and how much of a part they play in our lives. Ultimately, one will champion, and one will fail – one will survive and one will not...

About Lisa Stock: Lisa is a filmmaker working in the mythic arts. She pulls her stories from a varied background in theater, film and anthropology, with 5 plays produced in New York City, and 8 years of work at the American Museum of Natural History behind her. Her work delves into our human nature and what we embrace and allow to happen that might not always sit well with our conscience, and the choices we make to deal with our circumstances. Her stories take those inner tendencies, and brings them to life visually through tales incorporating myth and fairy tale. Lisa’s most recent film “The Silent Nick and Nora” played in London, Cannes and New York in 2009. She is currently in pre-production on TITANIA – a retelling of the fairy tale of the Armless Maiden through Shakespeare’s fairy queen. She lives on the web at http://www.inbytheeye.com/


http://www.titaniafilm.com/ - Titania's website

All images © Lisa Stock


April 8, 2010

Review -- A Local Habitation by Seanan McGuire


I was excited to get the chance to review Seanan McGuire's new Toby Daye novel, A Local Habitation. In A Local Habitation, we visit new fairy communities around San Francisco with October (Toby) Daye, changeling PI and knight errant in the service of Sylvester, Duke of Shadowed Hills. Toby is sent on a seemingly harmless errand to check on Sylvester's niece, Countess January O'Leary in her computer company and fiefdom in Fremont. As in the previous novel, a great part of the fascination of this novel is meeting new types of fairies and changelings and learning what their particular attributes are and how they have adopted to life between the mortal and fairy worlds. In this case, Toby is placed out of her comfort zone on the cutting edge of technological integration between fairy and computer networks.

Toby's world gives me the shivers as she's wandering down dark roads and flashes of delight as she tells stories about the creatures she's encountered. Following her down just one of those of dark roads makes for an exciting and entertaining read. Characters such as Tybalt, King of Cats, emerge from the story as suddenly familiar as something encountered long before, grown up for you in an unexpected way.

Toby's own marginal status allows her to be everywhere and to move deeply into the concerns of other characters while trying to keep to her own code. My only quibble is that the mystery seems to get short shrift. While Toby's ability to "read" the blood of the living and the dead (part of her heritage as half Daoine Sidhe) brings the story into a gut wrenching immediacy, she is often prevented by circumstance from fully investigating what has happened. This may be a question of the balance between action and detection--the action often receives priority, undercutting the impact of the mystery's solution.

I'm coming to realize that Toby Daye novels are clear-the-calendar books, since once I get started I'm hooked until the end. I would highly recommend that readers interested in urban fairy tales pick up A Local Habitation.

Good reading,
Chrissa