February 18, 2010

True Love and Fairy Tales

True Love and Fairy Tales
by Gypsy Thornton


(Part One of Two)



When most people think of love and fairy tales it tends to get boiled down to something like this:

Love-at-first-sight = true love = happily ever after (with maybe a task in the middle in which the hero proves just how far BEYOND the ends of the earth he’s willing to go for this true-love-at-first-sight-girl.)

The thing is, fairy tales are rarely like that at all, particularly if they’re about love.



Cinderella is the classic fairy tale referenced when women are ‘looking for their prince’. But think about it, even with a fairy godmother’s magical help, what we’re really being told about here is a business transaction that works out well for both parties at best and a meat market/beauty pageant complete with foot-fetish at worst.

  • Please note, I’m not saying Cinderella and the Prince didn’t fall in love, just that if they did, it probably didn’t happen when most people think. I’ll come back to this at the end, when I’ve taken you through the story to show you what I mean.

The Prince sets up a ball/red carpet event (or is told to by his parents) for all the ‘notable’ young ladies in the land with the purpose of finding a suitable bride. (Yes: ‘Notable’ is the word Perrault used but bear with me. Even if ALL the young ladies in the land were invited, the story is the same.) Romantic? No. More like a chance for a girl’s ‘big break’.

  • Side note: What? No princesses calling from distant lands for alliances? That’s a little odd and doesn’t show the royalty of that country to be in the best light but let’s give them the benefit of the doubt and just say all the other royal children available were either princes themselves or had already been married off to other princes so there were none left.
All the young ladies (and their ambitious Mamas) pounce on the opportunity and turn up decked in the best their finances (or new debts) can afford, to be presented to the Prince, the hope being that one of them will catch his eye with their beauty, elegance or possibly wit or (gulp!) personality.
  • Another note: Great for local businesses, the hullabaloo instigated by all the eligible ladies (and their pushy, stage-mothers) as they compete to be presented at their best causes a brief economic upsurge in everything from carriage construction to stockings, making the Royal Family very popular at this juncture, so that any choice of the Prince’s will be looked upon kindly, reported as continued generosity to ‘the peoples’ rather than noted for the grievous political goof this is likely to be. But I digress…

Our poor Cindy, whose fortunes have fallen considerably since the arrival of her stepmother and sisters, finally pulls out her secret weapon: her very fashionable fairy godmother. She arrives under the guise of an unknown princess so that the Prince makes a point of going out to meet her.

  • Note the next: Yup. Look it up. She arrives as a princess among the already assembled non-princesses BUT even if we decide there were other princesses there, she’s not known, can’t be properly announced and royal etiquette (and smart politics) requires the Prince not cause her (or her possibly-powerful father) offence. Rather than royally-goof the Prince goes out to meet her in person… carry on:

A Princess? Score! She’s a looker too – and everyone notices that. Double score! Cindy smartly leaves when she should the first night with no one learning who she is. Smart and crafty. Now there’s a mystery and a whole lot of gossip surrounding her entrance and that creates power. Clever girl. (And clever godmother for giving her the tip in the first place!)

Night two, Cindy returns looking even better than ever (the fairy godmother is obviously designer-connected) and this time the Prince knows he better pin her down if he wants to end up looking good at the end of this bride-ball business. This is the night he gets possessive, never letting her out of his sight and wooing her with everything he’s got. Cindy’s actually enjoying herself now. So much so, she forgets the time, then ‘Bong!’ Midnight! She bounds out the door (gracefully of course) keeping her mystery intact but losing a glass slipper on the way. By the time the paparazzi get it together there’s no princess in sight and no one notices a dirty, raggedy girl in the vicinity.

The Prince, by now convinced the princess-without-a-name is the one he should marry (Why? 1: Gorgeous 2: Politically savvy/excellent game-player 3: Is charming while playing at #2), sends the precious shoe out to find the princess-foot it fits and so claim his bride. Yes. Princess-feet. When that fails, he tries the duchesses, then all the court ladies. Nothing. Finally the slipper goes out with some gentlemen around the country and they try it on all the pretty girl’s feet.

  • Note the fourth: Does it sound like meat-market-phase-2? Because that’s essentially what it is at this point. Not a search for THE one anymore, but for a someone that will fit. I’m sure the Prince’s PR people knew exactly what they were doing. And, no, he didn’t go himself. Even when he did in older tales, he ends up leaving with the wrong girl – twice! – before their deception is discovered and he returns to try out/on the next girl. The prince obviously spent waaay more time looking at the shoes than the face of the girl whom he had decided was the one to help him continue the royal lineage… ew.

Cindy watches when her sisters finally get a visit from the official foot inspectors and ‘recognizes’ her shoe. Cindy, with a little humorous dig at her sisters, asks to try it on to see if it will fit her. The gentlemen with the shoe - and I quote – ‘look intently at Cinderella and, finding she was very beautiful, said it was acceptable..’ etcetera and have her try on the shoe. It fits. Cindy pulls out the matching slipper, fairy godmother appears and poofs her into designer dress number three, the gentlemen wipe their brows and congratulate themselves on their bonuses while the stepsisters instantly grovel (no fools they). Cindy looks good, just like a princess. The Prince agrees and decides that yep, he’ll marry her. A royal wedding, a second economic boom, end of story.

  • Note the last: There’s no mention of happily ever after, but then there’s no mention of love either, except by the papers and the gossips. Does the new princess, chosen for beauty live happily with the shoe-conscious prince? There’s no part two in this telling. I think the Royals may have checked the history books to make sure all quotes and typos were’ corrected’ then burned all the paparazzi’s notebooks ever after.

Is this the story modern day women should be modeling their matchmaking on? Maybe. It does, after all, make good economic sense. Mama always told you, you should marry a doctor (or a lawyer, or a celebrity) for a reason. The end of money and status troubles does remove a whole lot of obstacles in life but it has nothing to do with love. If Cindy and the Prince did fall in love it didn’t get noted by the storytellers. True love is rarely as glamorous. (Note the lack of ‘Charming’ by the way – that was a Disney addition. In Perrault’s text it’s Cinderella who’s said to be charming, a player-with-panache if you will. Something, which is, very clearly, part of why she’s chosen in the end. Check the moral at the end of the story if you don’t believe me. Beauty gets attention; charm helps keep it, according to Perrault.)

If you’re looking for examples of True Love (note the capital letters) as opposed to an advantageous match, which is what romantics and, let’s face it, most people are really looking for, we’re going to need some different tales. But don’t worry. Glamorous or not, True Love in fairy tales is really quite wonderful. Stay tuned for the details!


Part two will be posted March 4th!


Be sure and visit Gypsy's blog: Once Upon a Blog to get all the latest fairy tale news!

February 14, 2010

Fairy Tale Quarterly: The Filigree

The Filigree is a Fairy Tale Quarterly that features the Artworks of husband & wife team, Celena Cavala & Martin Obakke. In it, you’ll get Breaking News, Arts & Entertainments, Sports, Obituaries, Classifieds & Advice. The Filigree seeks to tell the story of the Fairy Tale Underdog and the mechanics, problems & joys of everyday living in the world of Fairy Tale. The Creatures are made from fabric & polymer clay with a copper armature which makes them flexile and can range in sizes from 12 in. to 3 feet tall. Each is individually sculpted by Martin, who also takes care of all the Filigree's graphics. Celena writes all the stories, helps in dressing the creatures and they both work on the photos & conception together.



The Sinking of the Concordia, Spring ’09 Bayonne police escort Genevieve Reed & Mahala Ward to the county Jail where they will await charges for their involvement in the Concordia Sinking…
















New Candy Trolls Confectionary in Cherry Hill, Spring ’09 Lou presents a freshly baked sheet of Witch finger Lollies, a recipe passed way down from great-great-great granddaddy Troll….













Mordacais Jones & the Imaginary Friends Foundling hospitals Orphan Stealer has Fled, Summer ’09, Mordacais Jones, last year, escorting 2 Imaginary Friends to the Orphan Trains…









State of the Art Haunting- Old School Style at Vic’s Meatatorium, Autumn ‘ 09, Vic Sommers, freshly rotting zombie has spent that last 6 mos. Since his foray into Zombiehood literally pouring over books on the best scare tactics in the business for his soon to be open Haunted house, ‘the Meatatorium.’














Nellie Cornea & Little Brother, Winter ’09, Legends & Lanterns at Hollowman’s, Hardesty’s Hopes Frozen
















CoCo Bunny — Fairy Filigreeture Winter ‘09














www.thefiligree.com

February 7, 2010

The Girl with Glass Feet Review


It is sometimes in the confounding of our expectations that a story can slip past our defenses, and so it is with The Girl with Glass Feet. The story centers on Midas Crook as he deals with family tragedy by mediating every interaction save a few through the lens of a camera. “I cope [. . .] with photography,” he explains early in the book. When he meets Ida, who has come to the remote archipelago of St. Hauda’s Land in search of a cure for an invasive metamorphosis of flesh to glass beginning with her toes, he is placed on a delicate journey back into his own body. Midas serves as a good fulcrum for the story, his own pain at the shifting of the story arcs apparent and well-drawn. Mr. Shaw draws Ida’s adaptability and determination as finely. Her response to her unexplained illness imposes upon the fairy tale elements a human dimension, linking with others mentioned in the story—and demonstrating that “why” questions are ultimately unanswerable and less important than those of how you will cope with the unexplained and painful events in life.

The Girl with Glass Feet is a thoughtful and interesting novel that brings some of the depth of feeling that old fairy tales had, when witches and curses were alive in the mind. As Mr. Shaw drains most of the colors from the land around them, the main characters dazzle in their sudden vividness. Ida’s irises gleam “titanium gray” and Midas chases a “golden ribbon” of light that dangles just out of his reach and then turns out to be resting beside Ida. A creature roams the forest that turns whatever glimpses it to stark white, the slow bleaching process both beautiful and eerie. Ida’s increasing physical pallor mirrors this transformation. The enchanted aspects carry sadness in addition to their beauty, echoing in the delicacy of the glass transformation in the way in which illness is shown to push and deform the family and personality of everyone around the sufferer. And yet, Mr. Shaw doesn’t ignore the beauty. When Midas and Ida find themselves become hills for one of the character’s herds of moth-like cattle, the sense of their looking out across eternity like the hills themselves and finding in this view a deep joy was as fulfilling a scene as any I’ve read lately.

While the answers that come from Ida and Midas sorting through the stories of their families and their tentative relationship were not what I had expected, I found myself reading hungrily and hopefully as the story moved toward the conclusion. I would recommend this for anyone who enjoys traditional fairy tales that leave a bit of mystery in their weaving.

SFT thanks Henry Holt and Company for providing the review copy for this novel.

Good reading,
Chrissa